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» The corrupted listening »
» Melquiades: too early fo»
» Optical Cartridge: groun»
» BiDat: One more output
» Some conical horns anti-»
» Who owns what in FM
» Analog: a reduction of s»
» New source for old tuners
» Romance, Food & Mahl»
» First order filtration a»
» The sound compromises of»
» Staxquiades project
» The unintended consequen»
» It looks like a simple q»
» More about Vienna Philha»
» RCA’s Sound And The Story
» Ghorbani&Hamdani sin»
» The essence of High-End »
» Small SET’s bass, beside»
» Plaishner 3-way speaker.
» A datacenter at home and»
» 3 ways how I listen to m»
» Practicality of paper ma»
» Bach Cello Suites
» About Wilson Audio Louds»
» Some kind of Grundig…
» Which SME 3009?
» FM Acoustics
» Universal VTA adjustment.
» Mid-bass Hornresp (V51.3»
» Magico Mini or Jonathan »
» I think it is the end.
» Mystery Horn ? ? ? anyon»
» My trip to the Stereophi»
» Something that a loudspe»
» Engaging the David Haign»
» The BBC program about gr»
» A truly cool solution fo»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
A world class deaf percussionist talks about Beethoven composing deaf 1948 
Awesome! Thanks, Robin! 1946 
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Classical events in Boston
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Thomas, Janet Owen (29 Jan»
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My Audio Leftovers
Micro-Seiki Arm Board
Conscience of audio rev»
Kenwood L-02T FM Tuner
Altec 808A compression »
Pacific Microsonics Mod»
Electro-Voice T350 twee»
Lamm Industries M1.1 Mo»
Altec 515B bass drivers
Vitavox 330Hz Horn for »
CEC TL-0 MK2 transport
Tribute Output Amorphou»
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