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» The elusive “absolute to»
» Placido Domingo... condu»
» Dedicated horn loaded mi»
» Ultimate Tonearm
» Rejection of non-natural»
» The 'Side's End Ceremony»
» My current conductor obs»
» Shostakovich’s 100th bir»
» Bach's Cello Suites
» 2+3 surround sound??
» Electronluv systems ques»
» The Yevgeny Mravinsky Fi»
» Harmonies for Bosch’s Ga»
» The GoodSoundClub’s ‘Ult»
» Bass impact on Turntable»
» Rebel++ first blood, Amp»
» Romy's Multi-cell Horns »
» The 5-ways from Germany.
» Bach by Ormandy’s Philad»
» Wet/Dry ™ configuration »
» The FM Stereo and Multi»
» Horns and digital crosso»
» Why people still sell co»
» Eventually I’ve seen a l»
» Just-Sound of Audio vs. »
» Devid Berning amplifiers»
» Lavry D9a26 Power Supply
» Soprano Sally Matthews.
» A right midbass solution»
» Chord QBD76 - the new dac
» Dannoy 2021 Loudspeakers
» Wich melquiade?
» Streophile show 2007 and»
» HD Radio? Good, bad or u»
» Does high-sensitivity sp»
» Hypex for ULF?
» Reading an official audi»
» About the tweeters phase»
Bookmarked are red
AudioTools
Adnan Arduman's site.
Dolmetsch Online
Greg Sando’s Site
John Lenard Burnett's si»
Audiofederation's Blog
Dr. Olson Tribute Site
Art Songs and Librettos
Jong Woo's Site
Find-a-Concert
Rachmanionoff's links
Berkshire Record Outlet
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A world class deaf percussionist talks about Beethoven composing deaf 1932 
Awesome! Thanks, Robin! 1930 
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