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» New CubeAudio Tractrix H»
» How to make a playback t»
» The sound compromises of»
» Arranging my records col»
» The ultimate cancer of a»
» Bach and kids…
» Garg wants more horns.
» Memories of audio elemen»
» The mystery of Koetsu On»
» Measuring reality: empir»
» NESPA Optical Disc Final»
» Bye-bye Studer…
» Philadelphia Orchestra c»
» High End Audio and music»
» I do not know what else »
» Nanse Gum and his Euro-A»
» Haniwa Cybernetic Audio »
» A better way of approach»
» There is Bruckner and th»
» To be or not to be.
» Abbado + Lucerne Festiva»
» RIAA pole two = 501,12 Hz
» Micro Seiki SZ-1T
» The "mystery&am»
» Amplifiers heat… a real-»
» The most complicated que»
» The “theories” about the»
» Dukane 5A540 Compression»
» Any recommendations?... »
» Accuracy vs. Musicality »
» A tribune to Transient E»
» BBC broadcasting radio e»
» The Berlin Philharmonic »
» About Stupid Dynamic
» Brahms [piano] Concerto »
» The fantastic Lucas Deba»
» Who builds horns?
» Bach Cello Suites
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Engineering over Art 5941 
So far, you are talking about wrong reasons. 5941 
Deutsche Grammophon 5941 
I do not know what to say. 5941 
Mysterious cat 5941 
I see nothing mysterious. 5941 
Grab Bag 5941 
One CD - two recordings 5940 
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