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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Make your own horns?
» The tapped horns: cons, »
» Lampizator horn
» What to do in office?
» Polish Chamber Choir - S»
» R22
» The elusive “absolute to»
» The “Primary Frequencies»
» Lavardin discovery
» What constitutes a great»
» What is wrong with Dipol»
» The strings period: the »
» Klipsch Jubilee horn
» Compression at WCRB - b»
» Coral x-viii
» Where high-end audio sta»
» Wywires – “Custom” desig»
» RAAL “Water Drop” tweete»
» A contemporary AD1 Triod»
» Arsenic bacteria & G»
» Gould's Piano
» Bruckner 9, Transcriptio»
» Avantgarde method of cap»
» The Extraordinary Harvar»
» A new generation of full»
» Tuners and digital noise»
» 250 watts Parallel S.E. »
» The 500-megawatt FM stat»
» The Home Theater thought»
» "It" Thread
» High-End Audio. The thir»
» ESS Connoisseur: a sensi»
» The ultimate buffer #2..»
» A better way of approach»
» Pure Audio Blu-ray.
» The single-stage Milq an»
» Shall quality-price be r»
» Worcester Music 2009-201»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Aimez-vous Bartók? 6206 
Something vs. anything. 6206 
Something about 'nothing'... 6205 
The Furtwangler explained... 6205 
"Greatness" and modern composers... 6205 
There is no need to generalize non-generalizable. 6205 
Generalizations and composeres 6204 
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