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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» German Odeon horns.
» NASA Reverberant Acousti»
» Dubbing LP to digital.
» Alfred Schnittke’s Gogol»
» How would you handle it?
» Clark Johnsen.
» Clean and polish gunmeta»
» Fun with transformers?
» Midbass Horns and Real E»
» MartinLogan Montis Speak»
» An Acquired Taste
» Open Baffle Speaker Desi»
» Show Report PiS Fest
» Ale horns on ebay possib»
» Shall quality-price be r»
» Analog FM on a PCI cards?
» A primer on high-end mar»
» Jaap van Zweden kicks as»
» The one-stage Melquiades.
» Playing bad recordings u»
» Cogent+Electronluv+Acape»
» I am thinking about anim»
» The most complicated que»
» Liszt’s symphonic poems.
» Phase plug for midbass
» Constructing LF modules »
» A Very Nice "Eroica»
» Altec cabinet: 815a
» My first audio show. Hmm»
» Hypex for ULF?
» Bias help
» Horns and digital crosso»
» Playback and Perception »
» The Dark Hope of Renee F»
» Education vs Magic
» The differential diagnos»
» Problems with horns: mid»
» The Silence of the Lamms!
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The Well Tempered Comput»
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Ward Marston's "Marston"»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Aimez-vous Bartók? 5780 
Something vs. anything. 5780 
Something about 'nothing'... 5779 
The Furtwangler explained... 5779 
"Greatness" and modern composers... 5779 
There is no need to generalize non-generalizable. 5779 
Generalizations and composeres 5778 
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