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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» A great production of th»
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» Goodbye to EMI?
» The 6E5P tube data.
» Tchaikovsky’s “Pathetiqu»
» About Darwinism of Music»
» The Trout - Perlman, Ba»
» The Andrew Rose’s “Prist»
» How does it sound?
» Pono & Meridian - an»
» Bye-Bye, Fane
» Analog vs. Digital... wi»
» Curiosity about others. »
» Shostakovich‘s "Suite on»
» Terminal Velocity? Smart»
» Why the tubes shall be t»
» Neumann Dummy Head.
» Czech Republic's Audio
» Relief from micro-arcing»
» Live vs. Recorded transc»
» Playback and Perception »
» Klipsch Jubilee horn
» Rod Poole 1962-2007
» Tweeters: the most misus»
» Some evidence for the ch»
» Faberryman and the CES 2»
» What is wrong there and »
» Fantasies about 10Y
» Dinsdale Horn Design Art»
» Ca(r)t before the horse:»
» Macondo Alternation. Ext»
» The commercial music ser»
» NASA Reverberant Acousti»
» The most emblematic reco»
» Bruckner, me and the Sev»
» The unintended consequen»
» Primitive steps for stan»
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Plasma Tweeters Site
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I keep receiving emails from visitors asking me thier idiotic questions about audio. I don't care about your purchasing decisions, I don't provide general audio consulting and usually, I do not reply to private audio questions (unless you send me a confirmition that you've donated to your local feline shelter). Please stop send me emails asking me your damn audio questions: I have a public site where you might indulge your unhealthy audio interests and where I might have fan to ridicule you publicly. Also be advised that I keep rights to publish on my site any content submitted to me via email. I sincerely hope that this warning would prevent a few needless inquiries.

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