Rerurn to Romy the Cat's Site

I wish people understand the electricity problems more as impediments of objectives. Good electricity that does not screw up Sound is not the goal but juts a mandatory means. After the electricity is not the problem the biggest question might be: what new opportunity the non-problematic electricity opens up for playback organization?

Let me to explain how I see the things.

Let pretend that we have a hypothetical playback that plugged to the wall and power but known bad electricity. The decisions that were mane within this playback reflect the critical choices that were made for the given playback to do its best under the given condition. Now, by the mean of PP2000 of anything else the electricity problem is addressed. Now the “conditions” are changed, does it make the “critical choices” for thins playback to be different?

So, the way how I see the thing is no reconsolidations about playback setting were made in context of good electricity then ether the old “bad electricity decisions” were not sensible or the new “good electricity decisions” are not taking a full advantage of what is going on.

I understand that people are looking what “black box” to buy in order to deal with electricity problems. However, what I am more interested at this point is how the better electricity changed somebody thinking about other playback’s techniques and about the means the set the plays in the new “critical” mode.

Rerurn to Romy the Cat's Site