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In the Forum: Analog Playback
In the Thread: The contemporary pressing of LP records.
Post Subject: The crappy today’s LP pressing - who is guilty?Posted by Romy the Cat on: 6/18/2008

When posted my post above I was bitching that that contemporary issued LPs are garbage and was accusing the Morons who make. However, there is a twist in those accusations. The senseless idiots who produces the horribly sounding modern surrogates are bad but it is a free country anyone is free to do whatever she or he knows, understand or capable off. I personally feel that senseless idiots should not have access to cultural treasury of but I also do not feel that senseless idiots or menacing criminals should not be in presence in legislative, Executive or Judicial Branches of governments. Well, were to start complaining…

So, the senseless idiots re-make today’s masters and cut today’s horrible LPs but they would not do it is those LPs were not be flying off the shelf. Here we hit the very same patters as we have in audio equipment – a complete nonexistence of any more or less sane quality control from industry’s reviewing mashie.

I generally discard recordings/music/pressing review in audio publications or audio sites but I know that this business is there and many audio Morons navigate third purchasing decisions around “somebody from Hi-Fi” recommended records list. I would hardly doubt that the reviewers who are recposoble for marketing the re-pressed and re-mastered records would even make a statesmen that a given record much be avoided because it is superbly inferior to any dimension to one that was pressed before.   If they do then the today’s LP industry would not exist, thank God – it is exactly how it must be - the senseless Grammy-winning engineer-idiots shell not re-release the sonic garbage they are releasing nowadays, at least no one shell buy it.

So, who is guilty in the bad today's LP sound? Once again – the industry reviewing sleazeballs - the non demanding marketing superstructure aiming brainless products hawking.

The caT

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