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In the Forum: Horn-Loaded Speakers
In the Thread: How to USE “Resonating Oops” in loudspeakers
Post Subject: When resonance takes overPosted by tuga on: 2/14/2008
 Romy the Cat wrote:
Indeed, I did not realized that I shifted my thinking in this thread and an in my general views from the ways of using those “Resonating Oops” to the subject of Injection principles. I think I did it because Injection, as I use it, and the “Resonating Oops” benefits served the very same propose, in fact I “discover” Injection because I was trying to imitate the “Resonating Oops” (this thread is a good dairy how it happened).

Loudspeakers are always a musical instrument but even in musical instruments it is always a question what produces more portion of  sound – the fundamental of a vibrating string or the resonance and after-tones of the instrument’s deck. I wish I have skills to control the natural “Resonating Oops” – I do not have them, nether I have in Macondo tools and means to do so. The Injection, I feel, is a good substitute where the Resonating Oops’ benefits are delivered in a predetermined and well managed format.
I owned a pair of 5’’ semi-omni, open bottom, resonant single drivers for a brief period - they where my main speakers at the time (I wonder how sane I was when I bought them). The resonances were so overpowering that one could hear more of them than the sound produced by the driver. They were improperly designed for main speakers but a similar approach might make a nice pair of resonance and ambiance "injectors"...
Cheers, Tuga

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