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In the Forum: Horn-Loaded Speakers
In the Thread: How to USE “Resonating Oops” in loudspeakers
Post Subject: Musicians and “Resonating Oops”Posted by Romy the Cat on: 11/30/2007

 drdna wrote:
There have been a lot of discussions about this before, but one must always take this sort of logic with a grain of salt.  Musicians are trained to hear certain things in music and simply hear differently than non-musicians.  A speaker designed by a musician is likely to reflect these idiosyncrasies.  It may accomplish the goals that a musician wants to achieve when listening to playback, but this is not necessarily the same as what many of us seek here -- the expression of the Sound.
Although I am on the same side of the sentiment as you are I still feel that in context of the “Resonating Oops” the musician’s judgment might be very useful. Musicians while they play they experience tactile sensations. The mechanical feedback of piano, the resistive tensions of strings, the vibrations propagated via the body of decks, the resonating air that stresses body of wind instruments… thousands other sensations that for practicing musicians become unavoidable experience of “sound”.  That is why I do like to play my playback for musicians – I less care what they this about audio and sound but I do very much interested what they feel about their tactile sensations while they listen audio. Particularly it is very curios from perspective of “Resonating Oops” …

The Cat

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