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It was exactly how as I imagined - the Injection Channel worked very-very well. The electricity was good, close to wonderful. I calibrated everything and decided to spend a few hours just listening some tonally complex things. The Injection Channel made the think a freaky in a way. I know this musuc very well but the Injection Channel made it TONALLY HALLUCINOGENIC. The effect if injections truly phenomenal.

I started with Stravinsky’s L'Histoire du Soldat by Ars Nova Ensemble by Mandell (courtesy to Robert Witrak and Charles King). It is kind of is a way difficult to listen this recording. It has poltergeists in it without Injection but with Injection it kind of…become so freakish that it is not tolerable.

Then it was Rachmaninoff’s Second Concerto by Byron Janis and Minneapolis Symphony. It hardly possible to find any more interesting committed to record orchestral play of the Rach’s PC2 .  The Dorati’s orchestra nothing short of stunning and what I looks for THE tone it should not go too far from there…

Then it was Haydn’s “La Reine de France” by Chicago and Kurt Masur from 1988. Chicago in 80s? Haydn and Masur? All together?  Am I kidding? Well, listening what they do it looks like they were kidding. It is kind of “pressurized Haydn”, played with Glenn Gould’s “nervousness” and with the Van Gogh’s over-expressive colors. The Injection made the room truly seaming in the colors, wit all those grades, shadows and overtones… I disconnected the Super Milqs and listened juts the Injection Channel. It sounded like drinking consecrated syrup while being thirsty. However, at minus 9dB and supplemented with Macondo it was quite tonally wonderful.

Then I played a French-pressed Menuhin with Shankar. It is not exactly my music but I hit it anciently while was trying to play other Menuhin. However, the Sound of that “Shankuhin” was so interesting this time that I actually spent quite a time with it.

In the end I played Samson et Darcica by Bastil and Myung Chung. It is amassing what the Injection does to voices!!!

In the end, the Injection Channel is freakishly interesting thing. If someone discover a 4-5” driver that can have the same Syrupy Sound as the Red 10” then please let me know.

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