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In the Forum: Horn-Loaded Speakers
In the Thread: How to USE “Resonating Oops” in loudspeakers
Post Subject: The flexible Injection ChannelPosted by Romy the Cat on: 5/11/2007
 Paul S wrote: |
| Do you find equal benefits from the same oops levels (and/or placement) with all types of music at all listening levels? |
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I did not detect any fluctuation my “oops” desire with listening levels. The Injection Channel is driven from the same preamps and it’s level is identical for all volumes. I did detect that my desire of the “oops” higher with larger symphonic music and lower with vocal and chamber. Probably within 1.-1.5dB of the Injection Channel’s volume…
| Paul S wrote: |
| Not to lump you in with them in any way, but you may have heard for yourself that the Cogent system either includes or allows a lot of resonance, which I thought better suited large scale works than smaller and/or lighter fare, and this was +/- the case with my own limited, unsuccessful experiments, as well. |
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I did not see among what Cogent do anything resembling to intentional dealing with resonances
| Paul S wrote: |
| Do you find it desireable to manipulate the "oops" in any way on a case-by-case basis? |
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Yes, I do. Deferent recordings react differently to the output of the Injection Channel and generally I wary it from minus 8dB to minus 12dB
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