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In the Forum: Audio Discussions
In the Thread: About Wilson Audio Loudspeakers
Post Subject: It is a part of a larger process.Posted by Romy the Cat on: 8/23/2006

Well, I do not know what it would mean. Regardless his “constitutional status” Row’s article is much more informative and much more educational for people who have interest in the MAXXes then the brainless saliva dropping that many industry cheerleaders  (courtesy to Marc Mickelson and Michael Fremer) have performed around the Wilson MAXX. I think that important moment that Roy Gregory has missed is the performing differences between the old MAXX and the new one, but once again: to his credit he did it most likely intentionally as he probably not being familiar with the older MAXX did not want to reprint the “literature” that Wilson marketing people would write for him.

Unfortunately it left out of the scope the very import point: the general tangency that the industry has by navigation the “industry deliverable sound” toward the sharps, harmonically inverted but the immediately impactfull sonic surrogate. If someone looks at wish direction the French Grand Utopia went in their new production, the New large Wilsons, the new smaller Wilsons (Mosel 7, and MAXX) and many other today’s loudspeakers then it would not be no surprise way the dimmest audio victims falls in love with Kharma Ceramic and Magico Mini sound.

Rgs,
Romy the Cat

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