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In the Forum: Playback Listening
In the Thread: Accuracy vs. Musicality (and YMMV)
Post Subject: It is a very complex subjectPosted by Romy the Cat on: 8/24/2024
 Amir wrote:
I think the magic key in advancing audio is understanding the proper meaning of “dynamics” .
In my opinion The main problem is audiophiles care more about “musicality”, “sweetness”, “resolution” , “soundstage” , “tone” , “transparency” … but I think the key is advancing audio playback for perfect “dynamics” in all frequency range 20-20khz.

When your priority is “dynamics” then you will find horn speakers overally are better than other types of speakers.When your priority is “dynamics” then you will find the amplifier should be match to Speaker for perfect dynamic in all frequency range. I think Romy DSET concept is more dynamic than single SET.When your priority is “dynamics” then you will try to find the perfect speaker position (DPOLS). When your priority is “dynamics” then you will find computer audio is not good enough for music playback.When your priority is “dynamics” then you will find ac quality is very very important and also you will find all ac filters and most ac cables are not good.
Amir, I disagree with what you say. The spirit of your expression is right: a wider dynamics range is better than a lower dynamic range, but there is so much more to it. It's it not about maximizing of dynamic range, it is very simple to do in audio. This is the problem that the audio methods that we use this expensing of dynamic range damage some other very fine but very important ingredients of the sound, mostly the extrapolation of the tones below and under the fundamentals. It would be simple if it were just the volume of under and overtones, but it is also about their compression and many other factors. Live sound and audio operate in different environments, like fish in water and birds in the sky. The rule of one does not apply to the rule of others. In addition, there are dynamic masking effects and many other factors. So, it is not just about perfect Dynamics but rather the maximum dynamism you can push out of a given audio topology without sacrificing musical and spiritual integrity and intelligibility of music. It is a very complex subject

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