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In the Forum: Audio Discussions
In the Thread: My new “New” listening room, 2024
Post Subject: The holy bingo!Posted by Romy the Cat on: 5/18/2024
I think I discovered something news that I never heard of. Again I do a lot of listening and lot of thinking, and while I'm experimenting with different operation parameter of my mid-bass I semi accidental caught one configuration that make me to think from completely different perspective. Experimenting with drivers, with amplifier loading and integration all of its sound in the entire Macodo sound and in the sound of listening room I caught a very interesting setting that hugely advanced my playback in very astonishing direction. Bill practice teachers the importance of space and I am fully subscribe it. One of the most important benefits of proper space reproduction is completely collapsing of Sound stage as a concept. This entire definition does not exist anymore. Which is good, right. However, what I discovered is that very precisely organizing mid base, in a very deliberate fashion I got control over density of a space. In my view it is completely different subject matter that has no relativity to frequency responses or anything else. 

I know that it is completely irrelevant post lost among billions pages of Internet. However, what I am proposing here is in the way revolutionary. Not a lot of people and not a lot of system can look deep in it as there are very few multichannel multi-arm systems which organized with her listening objectives and with high listening consciousness. Below are some explanations. 

As I was listening I decided to discard absolutely anything in terms of musical presentation and focus solely on one subject. Any context of a large and very well organized orchestras, I was focusing on transition of sonic phrasealogy between the sections. Good orchestras do this transition in unique way. My objective were to make this transition as smooth as possible but at the same time as expressive as possible for each group. Hereudio is where is a loading of Milq bass channel combined with a very specific dialing of volumes are super essential tools. While I was playing physics I got a sudden click, a sudden avalanche like escalation of this specific effect. The result was that a transition between one section to another subtle stop to have Sonic meaning and become to have aesthetical meaning. That was absolutely huge. The complex low level mid-based transitios of Mahler and Richard Strauss suddenly begin to make sense. Not making sense overall but making sense in audio.  

As I called this event I begin to recalibrate whole system in the respect to my mid-based channel. I was able drop output of my tweeters  by 2 DB and ULF by 4 db. The sound become truly hypnotizing and in the way radioactive. I literally do not want to measure anything or even touch anything as it is so interesting. All the time date was changing the dynamic parameters of mid-base. Is now I am running 2 Vitavox 15 inch drivers, connected in parallel. They have roughly 6R impedance. I crank my Milg's output stage to full 60 watt and I have transformer which designed to work against 2.5R. the Vitavoxes are sitting behind 78 HZ first order filter.  One Vitavox seat in 4 cubic feet box and another 10 cubic feet. The large box is wooden, well dumped. The small box is made from some kind of amazing material that from my prospective sound superbly interesting without any dumping. It is some kind of plastic reinforced wood, I am not sure what it is. It is unquestionally the most interesting RJ results that I ever had.

Another very interesting result is that somehow this very precisely dial density of mid bass opened a truly new definition of space, I still use my Yamaha reverberation channels. In presentations that you have space is unquestionably better but it is not always useful. What do I mean that orchestra played in very realistic space but the space between me as a listener and orchestra as an event producer clearly exist and always like eventless vacuum. It greatly improve quality of perception of entire musical event but it is clearly eventless space. With my current results somehow each particle of space actually works. It is very strange feeling can I still do not completely understand it but it is always like an hologram where each small piece of the hologram contains the information about entire image. 

That is completely new way of playback organization and I really look forward to discover what is all mean and where it came from.

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