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In the Forum: Audio News
In the Thread: THE Show, 2016
Post Subject: THE Show, 2016Posted by Paul S on: 6/12/2016
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Gluttons for punishment, Mark and I went to the Newport
Beach audio thing-ee again this year. Generally, I was most struck by how much
lower audio expectations seemed to be, even lower than last year. It seemed
like it’s sunk to the point where nobody’s even trying for decent sound any
more. Is streaming audio at the root of
this, or is it part and parcel? We did
hear some classical music, but it was not well rendered, and my only sustained interest was based on simple curiosity based on targeted aspects of the sound I heard. First stop was the Audio Note room, which was
spilling what sounded like a live cello recital. Yes, it was a nice, live cello performance.
After that, AN went back to their demo, and we took off immediately; it was
the worst I’ve ever heard from them. Perhaps bad electricity was a factor, it was
common enough. However, there were exceptions. Generally, sales focus seemed to
be based on the looks and theoretical “capabilities” and “features” of the gear
rather than anything one could actually hear from any demonstrations. But even this approach was tepid, and I actually missed the roving hucksters from previous shows. I went most hoping to hear big Wilsons, also the
latest TechDas TTs, which are an uber model of the AF 1 and a “lesser” model,
the AF 3, which yet features a vacuum hold down and an air bearing.
Unfortunately, TechDas did not use the nice AudioMachina speakers this year,
and they only demo’d the 3. I suppose I
will never get to compare these ‘tables, but I could not fault the 3 (paired with
a Graham Phantom arm) based on anything I could gather from the demo I
heard. Speaking of comparisons, we sat
for a fairly lengthy Nordost cable demo, and improvements were quite obvious as
they moved up their product line, swapping only the DAC link. Back to TTs, I was “impressed” (and a little
surprised) at the terrific job done by the new-ish Brinkmann DD TT, paired with
their own 14” arm. The cartridge was an unfamiliar Dynavector, but the music
was pitch-perfect, issuing a wonderfully clear iteration of Mark’s nice, clean
copy of Tossy’s rendition of the Sibelius VC.
In the digital department, we finally “heard” the expensive Lampizator
DAC through a not-so-good system that included L's amps and someone else's speakers (vs. previous years’ headphones). Sound was scrupulously “clean”, showing
“potential” in this. Guessing wildly, I
would say this thing likely “maximizes the source”, whatever this means when
the source and the speakers were considered. This is no way to sell
high end gear, IMO; but I don’t actually sell high end gear, do I? Another digital thing that has almost got me hypnotized
is the Astel and Kern 320 portable DAC. This
is light years better than mp3, which I never did and never will own/listen
to. However, once the streaming and
headphones bridges are crossed, this thing might be worth consideration, or one
might plug it into a second system. On to Wilson, they rolled out the biggish “Alexx”,
and it was horrendous. Likewise, the baby Cessaro, which was the only one they
demo’d. “Best” speakers might have been Stein horns, which featured DEQ LF. Big
JBLs suffered from abominable feed. Quite a few speakers did excellent
soundstage, but nothing else. Quite a
few smallish speakers sounded like they might have been OK if high passed above
maybe 500-600Hz. “Interesting” to me were a couple of OB speakers. One was the
bigger Emerald Physics, which normally features DSP EQ, but they also offer analog
correction for digital naysayers. Another “interesting” speaker was from Audio
Project. This might or might not…) have been the room that had a “ground box”
that was supposed to solve “ground issues”.
I wish the same rep would have demo’d the Voxativs he had sitting there,
silent, but we couldn’t stand to hang around until the hour they planned to
plug those in. Closing, the (very expensive) Yipsilon SUT and phono stage might
be OK, based on a fairly crappy demonstration. 5 food trucks that were touted
as “gourmet” looked and smelled bad; we ate well enough in the house restaurant. Sorry, that’s all, folks.
Paul S
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