And what does it mean you did “a lot of experiments”? Who defines what is “a lot” and what is “not enough”? In context of midrange horns you have to build at least 15-20 different horns with different profiles, different shapes of the mouth, different materials and so on, in order to judge which one fits closer to your requirements of how it should sound. This is valid for everybody who deals with horns, not only for you. I am amazed when I see somebody who is sticking his theoretically correct MF horn to his compression MF driver and then he just accepts the result! He "plays" with arranging the horn in space, with setting of the optimal off axis angle, with different crossover techniques, but none of these compensates the badly designed horn. |
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