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In the Forum: Horn-Loaded Speakers
In the Thread: Canadian Speaker Proposal
Post Subject: "Parasitic sounds" and human perceptionPosted by haralanov on: 7/16/2013
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 de charlus wrote:
Could you kindly elaborate upon what you mean by "parasitic sounds", as I am not familiar with this epithet.

By "parasitic sounds" I mean all sounds which are contained in the signal that are not part of the performed music. Different people call them with different names – for example "alien sounds". These are all kind of audio cracks when playing dirty LPs, all kind of digital front end distortions, distorted recordings, distorting amplifiers and speaker drivers, distortion due to bad electricity and many more. All those non-musically related sounds are part of the signal flowing through the voice coils of the drivers and they cannot be analyzed as a separate "parts". However this is only true if we are analyzing the electrical signal itself. Right in the moment when the signal is converted into acoustic waves, we have completely different situation. Now these parasitic sounds can be perceived by the brain as completely separate sounds that do not pollute the voice of the instruments. They exist with the music, but in no way interfere with the music. I made an illustration to show how the same signal (distorted audio signal in electrical domain) can be perceived when reproduced by drivers of different quality:

distortion perception.JPG

Fig.1 visualizes what’s going on when you play good music having bad audio quality via very bad speaker driver. The bad sounds are perceived as a part of the violin and you cannot hear the voice of the violin any more – it is heavily polluted with dirt.
Fig.3 represents what happens when you play the same music with the same quality of the electrical signal, but this time reproduced by a very high quality driver. You see – the bad sounds are there, but they do not affect the timbre of the instrument, nor affect the value of the musical message. It helps the listener to better understand the essence of the music.
Fig.4 shows what happens when you reproduce the signal via ultra high performance driver. Now the bad sounds of any kind are completely pushed away from the river where the music is flowing. The parasitic sounds no longer draw attention to themselves - only the Music remains. You can even deliberately introduce heavy distortion of high order (5th, 7th, 9th, 11th order) in the signal and they will not affect the sound.  It will be the same as you are listening live music in the park and someone starts the engine of his motorcycle. The sound of the engine could be irritating, but you can still easily perceive the music, despite it is contaminated with noise. You just perceive the noise as completely separate part of the complex acoustic interaction.

Best regards,
Petar

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