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In the Forum: Audio Discussions
In the Thread: Romy The Cat's new Listening Room
Post Subject: Different acoustics in my listening room.Posted by Romy the Cat on: 5/1/2012
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It is well known that the requirements to acoustic environment for life music and for audio installations are very different. For life music we need much more what we would call in audio “live” acoustic setting, letting the instruments to breathe. For audio we need much more controlled environment, with much- much shorter reverberation time. What we in audio consider “too live” room would be “super dead” even for a string trio and in the environment those musicians would consider live enough for them audio out would hardly be able to operate as it will be too life for us.
I have a friend of my a few days ago playing in my listening room her viola. I was very much looking to hear it, in my old listening room I had stings playing many times. The result was pretty much what I expected: very direct sound with superb focus over distance. The listening of viola from 3 feet and from 20 feet does add some life reverberation but do not lose focus and sense of immediacy. This is not too great environment for musician to perform but it is exactly how I feel it has to be in a listening room for audio. Interesting was her reaction. She said that in my room she hears exactly what she does and it is a good place to practice.
I have my ways, in order to have live musicians to add longer reverberation to my listening room, still maintaining high focus and high immediacy. In fact, if I find a motivated string quartet then I would like to record them in my listening room. I do not think that it will be great as I would need to drop a lot of acoustic treatment or to have a room 4-6 time larger. It still might be interesting as I might (or might) develop new or finer objectives in my sound reproduction.
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