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In the Forum: Horn-Loaded Speakers
In the Thread: A single worst thing in today’s acoustic systems.
Post Subject: The tunning frequencyPosted by Romy the Cat on: 11/19/2009
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 twogoodears wrote:
Also: a tuning fork, the basic, humble tool which makes a full orchestra to play "in tune" is - as applied math and acoustic, a sort-of interpretation of Nature and its Laws - giving 440 cycles (hertz) flat to the trained musician ear, who filters the pure tone as "the officially accepted" tuning pitch, by convention... The diapason (tuning fork) is not something abstract, but a vibrating steel bent bar, producing an A=a note... now at 440 hz, centuries ago at 415 hz, tomorrow... who know?
 Actually it not juts centuries ago, today or tomorrow. Even now you can tune any orchestra or any instilment to any a pitch, would it be 440 cycles, 417 cycles or 465 cycles. Higher or lower A note give some arguable advantages to different music and different playing style but the most or the time it serves as a conventions to musicians to be in tune. His is all off the topic of this thread. There is a remote subject how playback moderated the tuning frequency – the subject that never discussed in audio but it would be also way not related to this thread. 

The Cat

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