I built a pair of tapped horns, as per John Hasquin, designed to integrate w/ mid-bass horns (cross over ~ 70-80 hz).
Loaded in the corners, the low bass is well supported, and, they "dissapear" sonicaly.
By that, I mean, they don't "stick out" at all, I don't notice them unless I unplug them.
The term "soft bass" comes to mind, and very much applies, if we are thinking the same thing.
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