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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» EAR Yoshino DAC 4 by Tim»
» How to start Classical M»
» The Remote System Manage»
» The bogusness of the coa»
» An objective tool to tra»
» Playback and Perception »
» Trading cable elevators »
» Something that a loudspe»
» DSET phoned home?
» Calamine Lotion From Tec»
» The John Barbirolli’s wi»
» Turntable Design
» 6C41C – the journey to n»
» How Well Shall a CD Tran»
» A Cardboard Effect.
» Faberryman and the CES 2»
» Chicago Lyric Opera on W»
» The low-power SET and de»
» Audio critique – open yo»
» Meitner Audio - Ed Meitn»
» More or less pleasure: w»
» About the undeveloped au»
» Lamm L1 vs. L2 preamp
» CDs: good tendencies.
» Dinsdale Horn Design Art»
» Compression drivers and »
» Audio Cost
» How to make a playback t»
» Greeting every one
» The “Inverted High End A»
» My reading for a “smalle»
» Some Observations about »
» Corner Speakers for a ne»
» Small SET’s bass, beside»
» 2012 Decca records from »
» Equalizer? Hm…
» The benefits of ultra hi»
» Use absolute polarity as»
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AUG 17 Black Sheep Contempo»
AUG 18 Rossini’s Petite Mes»
AUG 19 Andris Nelsons, cond»
AUG 20 Chamber Music»
AUG 20 Borromeo String Quar»
AUG 21 Ying Quartet»
AUG 23 Landmarks Dance Carn»
AUG 23 Schuberts Summer Jou»
exclusive first listen: hel»
unearthing mendelssohn's lo»
felix mendelssohn's 'scotti»
felix mendelssohn's genius »
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composer, conductor lukas f»
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Micro Seiki RX-5000
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Altec 515B bass drivers
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